Thoughts of Sorts, one of Georges Perec's final works, was published posthumously in France in 1985. With this translation, David Bellos, Perec's preeminent translator, has completed the Godine list of Perec's great works translated into English and has provided an introduction to this master of "systematic versatility." Thoughts of Sorts is a compilation of musings and essays attempting to circumscribe, in Perec's words, "my experience of the world not in terms of the reflections it casts in distant places, but at its actual point of breaking surface." Perec investigates the ways by which we define our place in the world, reveling in listmaking, orientating, classifying. This book employs all of the modes of questioning explored by his previous books, and at the same time breaks new ground of its own, ending with a question mark in typical/atypical Perec fashion.

Great writers, artists, musicians and thinkers in British life say what Europe means to them: an outpouring of love and sadness. With pieces from Frank Cottrell Boyce, Melvyn Bragg, Margaret Drabble, Alan Hollinghurst, Will Hutton, Holly Johnson, Penelope Lively, Jonathan Meades, Deborah Moggach, Alan Moore, Jackie Morris, Cathy Rentzenbrink, Chris Riddle, Tony Robinson, Pete Townshend, Kate Williams, Michael Wood and many more... As Britain pulls away from Europe great British writers come together to give voice to their innermost feelings. Contributing essays that contain some of their finest writings and perspectives very different to the ones given in news outlets. The creative community here has its say on Brexit. Novelists, artists, comedians, historians, biographers, nature writers, film writers, travel writers, people young and old and from an extraordinary range of backgrounds. Most are famous perhaps because they have won the Booker or other literary prizes, written bestsellers, changed the face of popular culture or sold millions of records. Others are not yet household names but write with depth of insight and feeling. There is some extraordinary writing in this book. Some of these pieces are expressions of love of particular places in Europe. Some are true stories, some nostalgic, many hopeful. There are hilarious pieces. There are cries of pain and regret. Some pieces are quietly devastating. All are passionate. They show how Europe has helped us to expand our emotional, intellectual and artistic bandwidth, and hopefully will continue to do just that. Contributors include: Mary Beard, Jeffrey Boakye, Melvyn Bragg, Simon Callow, B. Catling, Shami Chakrabarti, Chris Cleave, Frank Cottrell Boyce, William Dalrymple, Lindsey Davis, Margaret Drabble, Tracey Emin, Michel Faber, Sebastian Faulks, Neil Gaiman, Evelyn Glennie, Alan Hollinghurst, Will Hutton, Holly Johnson, Ruth Jones, A.L. Kennedy, Hermione Lee, Prue Leith, Roger Lewis, Penelope Lively, Richard Mabey, Jonathan Meades, Andrew Miller, Deborah Moggach, Alan Moore, Paul Morley, Jackie Morris, Charles Nicholl, Irenosen Okojie, Onjali Q. Rauf, Chris Riddell, Tony Robinson, J.K. Rowling, Rhik Samadder, Isy Suttie, Sandi Toksvig, Pete Townshend, Kate Williams and Michael Wood.

'A joyous collection of essays celebrating the sanctuary of the women's pond on Hampstead Heath.' - New Statesman

Tucked away along a shady path towards the north-east edge of Hampstead Heath is a sign: Women Only. This is the Kenwood Ladies' Bathing Pond.

Floating in the Pond's silky waters, hidden by a canopy of trees, it's easy to forget that you are in the middle of London. On a hot day, thousands of swimmers from eight to eighty-plus can be found waiting to take a dip before sunbathing in the adjoining meadow. As summer turns to autumn and then winter, the Pond is still visited by a large number of hardy regulars in high-vis hats, many of whom have been swimming here for decades.

In these essays we see the Pond from the perspectives of writers who have swum there. Esther Freud describes the life-affirming sensation of swimming through the seasons; Lou Stoppard pays tribute to the winter swimmers who break the ice; Margaret Drabble reflects on the golden Hampstead days of her youth; Sharlene Teo visits for the first time; and Nell Frizzell shares the view from her yellow lifeguard's canoe.

Combining personal reminiscence with reflections on the history of the place over the years and through the changing seasons, At the Pond captures fourteen contemporary writers' impressions of this unique place.

1979. Three old Cambridge friends are brought together at a party to celebrate New Year's Eve and the end of a decade. Esther, Liz and Alix first met in Cambridge in the early Fifties, a time when their futures held glittering promise. But with the dawn of the Thatcher era, everything changed. Now middle-aged, how will these confident women cope with the personal and professional challenges they will come to face? 'A sublime example of Drabble's mastery in unravelling the intricacies of intimate relationships' - The Times

Known for both its industrial roots and arboreal abundance, Sheffield has always been a city of two halves. From elegant parks and gardens to brutalist high-rise estates and the hinterland nightclubs of 'Centertainment', it is a city caught between the forges of the past and the melting pot of the present. Bringing together new short stories from some of the city's most celebrated writers, The Book of Sheffield traces the contours of this complex landscape from both sides of the economic dividing line. From the aspirations of young creatives, ultimately driven to leave, to the more immediate demands of refugees, scrap metal collectors, and student radicals, these stories offer ten different look-out points from which to gaze down on the ever-changing face of the 'Steel City'.

One hot summer afternoon in South Yorkshire, Faro sits at a lecture on genetic inheritance. She has travelled from London to the Northern mining town where generations of her family have lived and worked, to explore her own past. Decades before, in the early twentieth century, Bessie Bawtry also ponders her place in the world. A child of unusual determination and precocious intelligence, she longs for the day she will eventually escape the working-class life her ancestor would never have dreamt of leaving. The Peppered Moth explores the way we are shaped by our environment and ancestry, told with elegant prose, wry humour and captivating storytelling, through the story of one family across generations through the twentieth century. 'Margaret Drabble is writing, not about an individual, but about a generation, or two, or more - of women . . . This is a sad tale, tenderly told, embedded in a robust family chronicle' - Doris Lessing

In her witty, masterful debut novel, Margaret Drabble conjures a gripping story of sibling rivalry. Louise, beautiful and sophisticated, marries wealthy novelist Stephen Fairfax. Sarah, recently graduated from Oxford, is thrown back into family matters. Louise's life becomes one of parties, gossip columns and glamour. Sarah, now in London, begins to discover a newfound freedom, only glimpsing her sister's fashionable life. But as rumours of infidelity in Louise's marriage surface, Sarah finds that her sister, beneath her cool exterior, may not be the woman she thought she was. 'Margaret Drabble's early novels were intimate and sprightly chronicles of the small dissatisfactions and small triumphs of young women like herself' - Hilary Mantel

A fascinating, hilarious, and timeless coming-of-age tale featuring one of Jane Austen's most memorable characters. Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition had lived nearly twenty-one years in the world with very little to distress or vex her. The celebrated opening of Jane Austen s Emma introduces readers to a supremely self-assured and accomplished young woman who believes herself immune to romance. By turns brilliant and foolish, self-aware and self-deluding, Emma leaps from error to error, writes Margaret Drabble in her incisive Introduction, wreaking comic havoc in the lives of those around her. The mature flowering of Austen s singular and prolific genius, Emma is the compelling story of a woman seeking her true nature and finding true love in the process. With an Introduction by Margaret Drabbleand an Afterword by Sabrina Jeffries"

The princess is taking her over, bodily and mentally. Dr Babs Halliwell is no longer herself. A young girl is plucked from obscurity to marry the Crown Prince of Korea. In her diaries, she chronicles the intrigues of courtly life and her own extraordinary existence. Two hundred years later, the Red Queen's ghost haunts Dr Babs Halliwell, an Oxford academic obsessed with her memoirs and possessed by the many parallels with her own complicated past. But why and how does she keep the Red Queen's story alive? The inimitable Margaret Drabble offers a rich and atmospheric historical novel, where the dead wander among the living and ask what it means to be remembered.

Ailsa and Humphrey met as children by a grey, northern sea in post-war Britain. She, freckled and furious; he, quietly studious; both fascinated by the other. Years later, their lives collide as adults and burst into an intense yet brief love affair. Now, after thirty years apart and at the close of the 20th century, their lives are converging once again as they hurtle towards each other by plane and train - their motivations, regrets and decisions laid bare. With the gloriously astute eye that Margaret Drabble is celebrated for, The Sea Lady is an account of first and last love; of the lapping of time at our ankles, gradually eroding and shaping our lives.

Winner of John Llewellyn Rhys Prize, The Millstone is a radical celebration of the mother-child relationship. It is the Swinging Sixties, and Rosamund Stacey is young and inexperienced at a time when sexual liberation is well on its way. She conceals her ignorance beneath a show of independence, and becomes pregnant as a result of a one-night stand. Although single parenthood is still not socially acceptable, she chooses to have the baby rather than to seek an illegal abortion, and finds her life transformed by motherhood. 'Rosamund is marvellous, a true Drabble heroine' - Sunday Times

Brought up in a suffocating, emotionless home in the north of England, Clara finds freedom when she wins a scholarship and moves to London. There, she meets Clelia and the rest of the brilliant and charming Denham family; they dazzle Clara with their gift for life, and Clara longs to be part of their bohemian world. But while she will do anything to join their circle, she gives no thought to the chaos that she may cause . . . 'Drabble presents characters who are not passively witnessing their lives (and ours); she is not a writer who reflects the helplessness of the stereotyped "sick society", but one who has taken upon herself the task, largely ignored today, of attempting the active, vital, energetic, mysterious re-creation of a set of values by which human beings can live' - Joyce Carol Oates

Simon Camish, a resentful insecure barrister in a stifling marriage, would not have particularly noticed Rose Vassiliou had he not been asked to drive her home one night after a dinner party. Now, separated from her Greek husband, Rose lives alone with her three children. Despite all the efforts and sneers of her friends, she refuses to move from her crumbling house in a decaying neighbourhood to which she has become attached. Gradually drawn further and further into her affairs, Simon becomes aware that Rose is a woman of remarkable integrity and courage. 'Though I have admired Miss Drabble's writing for years, I will admit that nothing she has written in the past quite prepared me for the depth and richness of this book' - Joyce Carol Oates

The Warden introduces us to the lives of some of the most beloved characters in all literature.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an introduction by Margaret Drabble and illustrations by F. C. Tilney.

Scandal strikes the peaceful cathedral town of Barchester when Septimus Harding, the warden of charitable foundation Hiram’s Hospital, is accused of financial wrongdoing. A kindly and naive man, he finds himself caught between the forces of entrenched tradition and radical reform amid the burgeoning materialism of Britain in the 1850s. The deeply insightful portrayals of figures such as the booming Archdeacon Grantly and the beautiful Eleanor Harding are at the heart of this moving and deliciously comical tale. The Warden launched the enduringly popular Barsetshire Chronicles series of six novels and won Anthony Trollope a seat in the pantheon of great literary figures.

Two sisters of opposing temperaments who share the pangs of tragic love provide the theme for Jane Austen's dramatically human narrative. Elinor, practical and conventional, is the perfection of sense. Marianne, emotional and sentimental, is the embodiment of sensibility. To each comes the sorrow of unhappy love. Their mutual suffering brings a closer understanding between the two sisters--and true love finally triumphs when sense gives way to sensibility and sensibility gives way to sense. Jane Austen's authentic representation of early-nineteenth-century middle-class provincial life, written with forceful insight and gentle irony, makes her novels the enduring works on the mores and manners of her time. With an Introduction by Margaret Drabbleand an Afterword by Mary Balogh

In The Time Machine an inventor travels to the remote future where he finds both love and terror. The protagonist of The Invisible Man struggles to come to terms with his condition in a narrative which is by turns comic and tragic. The War of the Worlds imagines planetary conflict from an individual point of view. If these themes reveal the originality of Wells as a thinker, each story displays his skill as a novelist by the ways in which he anchors astonishing events in vivid everyday details of character and place.All three have spawned countless adaptations and imitations but Wells remains the greatest poet of science we have, an inexhaustible source for speculation about the nature of the future and the meaning of the present.

Gathered together in one hardcover volume: three timeless novels from the founding father of science fiction.
The first great novel to imagine time travel, "The Time Machine" (1895) follows its scientist narrator on an incredible journey that takes him finally to Earth's last moments--and perhaps his own. The scientist who discovers how to transform himself in "The Invisible Man" (1897) will also discover, too late, that he has become unmoored from society and from his own sanity. "The War of the Worlds" (1898)--the seminal masterpiece of alien invasion adapted by Orson Welles for his notorious 1938 radio drama, and subsequently by several filmmakers--imagines a fierce race of Martians who devastate Earth and feed on their human victims while their voracious vegetation, the red weed, spreads over the ruined planet.
Here are three classic science fiction novels that, more than a century after their original publication, show no sign of losing their grip on readers' imaginations.

Owls Do Cry is the story of the Withers family: Francie, soon to leave school to start work at the woollen mills; Toby, whose days are marred by the velvet cloak of epilepsy; Chicks, the baby of the family; and Daphne, whose rich, poetic imagination condemns her to a life in institutions. 'Janet Frame's first full-length work of fiction, Owls Do Cry, is an exhilarating and dazzling prelude to her long and successful career. She was to write in several modes, publishing poems, short stories, fables and volumes of autobiography, as well as other novels of varied degrees of formal complexity, but Owls Do Cry remains unique in her oeuvre. It has the freshness and fierceness of a mingled cry of joy and pain. Its evocation of childhood recalls Blake's Songs of Innocence and of Experience, as well as the otherworldly Shakespearean lyric of her title and epigraph, but her handling of her dark material is wholly original' Margaret Drabble

January 1987. Alix Bowen has moved away from London to Yorkshire. There, she regularly visits a mass-murderer in a high-security prison. But has her natural curiosity in his motives and character crept into obsession? Meanwhile, Alix's life continues to cross and uncross with her old friends Liz and Esther, now all in their fifties. As the years pass, they increasingly question the brutally prosperous and atrocity-hungry society they live in, and their complicity in it, as they navigate life in 1980s Britain. The second in a trilogy following on from The Radiant Way and finishing with The Gates of Ivory, A Natural Curiosity sees Margaret Drabble return with her brilliant and dark wit in this bold, generous and incisive portrait of the time.

The love of place is endemic in English literature, from the work of the earliest poets and hermits to the suburban celebrations of John Betjeman. Here, the renowned author Margaret Drabble presents an image of Britain as seen by writers of different regions and periods, illuminating the ways in which their work has shaped our visual attitudes, taste in landscape, and relation to nature. For this new edition of her engaging study, Ms. Drabble has made corrections and updates to the text throughout and written a new epilogue.

"The Pattern in the Carpet: A Personal History with Jigsaws" is an original and brilliant work. Margaret Drabble weaves her own story into a history of games, in particular jigsaws, which have offered her and many others relief from melancholy and depression. Alongside curious facts and discoveries about jigsaw puzzles--did you know that the 1929 stock market crash was followed by a boom in puzzle sales?--Drabble introduces us to her beloved Auntie Phyl, and describes childhood visits to the house in Long Bennington on the Great North Road, their first trip to London together, the books they read, and the jigsaws they completed. She offers penetrating sketches of her parents, siblings, and children, and shares her thoughts on the importance of childhood play, on art and writing, and on aging and memory. And she does so with her customary intelligence, energy, and wit. This is a memoir like no other.

Featuring one of her most likeable characters, this sparkling love story set in a seaside resort is Jane Austen's final finished work. Since Anne Elliot eight years ago rejected the marriage proposal of Captain Wentworth, a penniless naval officer, she has resigned herself to a quiet life at home, tending to the imagined needs of her spoiled sisters and vain father (Austen's brilliant, utterly conceited creation, Sir Walter Elliot). But when Captain Wentworth reappears in their midst, having made his fortune at sea, Anne must ask herself whether she made the right decision--or allowed herself to be persuaded against her heart. Jane Austen's last completed novel and her most optimistic and romantic work, Persuasion gives full scope to Austen's artistic powers, blending sharp wit and warm sympathy, stylistic brilliance and matchless insight. As Margaret Drabble describes in her introduction, it is a story of -perseverance and patience and delayed romance, - affirming the lasting power of love and the rejuvenating power of hope. With an Introduction by Margaret Drabbleand an Afterword by Diane Johnson

NEW YORK TIMES 100 NOTABLE BOOKS OF 2017: 'masterly' GUARDIAN BEST BOOKS OF THE YEAR: 'An absolute tour de force' Fran may be old but she's not going without a fight. So she dyes her hair, enjoys every glass of red wine, drives restlessly around the country and lives in an insalubrious tower block that her loved ones disapprove of. And as each of them - her pampered ex Claude, old friend Jo, flamboyant son Christopher and earnest daughter Poppet - seeks happiness in their own way, what will the last reckoning be? Will they be waving or drowning when the end comes? By turns joyous and profound, darkly sardonic and moving, The Dark Flood Rises questions what makes a good life, and a good death.